18" x 14" Oil on Canvas
NFS
NFS
(Click on image for larger view.)
Bagatelles:
When my youngest nephew was about six months old, on his first Christmas he became ill. I remember my brother, Bill, closely holding his crying baby saying, "Daddy knows, Daddy knows..." For some reason that has stuck with me. Here 24 years later, Bill is now a grandfather. At Christmas I caught a photo of him comforting his tired and sleepy two-year old grandson, Ryley. That's how this painting came about and thus the title "Papa Knows..."
"Papa Knows" is not meant to be a portrait, but an expression of adult-to-child compassion. There is, however, a pretty darn close resemblance to Bill, as well as to Ryley's back side.
"Papa Knows" is not meant to be a portrait, but an expression of adult-to-child compassion. There is, however, a pretty darn close resemblance to Bill, as well as to Ryley's back side.
Meanderings:
There's a fine line I don't want to cross when doing a tender subject in painting--becoming entirely too sugary sweet. I wanted to give a direct expression of a grandfather comforting his grandson without getting all gooey about it. Being emotionally connected myself, it's hard to know if I pulled that off. And that begs the question "should an artist even try to detach emontionally from her subject." I don't think so. I think if we have our attitudes in the right place and are responding honestly to our subjects, it will take care of itself.
The other side of this is what the viewer brings to the painting. Some will get it. Some will write it off as too sentimental. But as artist, I respond. The world decides. And that's just how it works.
The other side of this is what the viewer brings to the painting. Some will get it. Some will write it off as too sentimental. But as artist, I respond. The world decides. And that's just how it works.




14 comments:
Wonderful story and wonderful painting!
Thanks, Bill. This is the first family subject I've done in many years and I'm kinda thrilled about it.
This isn't an overly sentimental piece. Its a piece of time captured that brings emotion and memory to the viewer.
Even without your story to go with it, the story speaks for itself.
I am completely and utterly blown away.
Anyone who has ever loved a child knows what this Papa is feeling. Anyone who has ever been comforted and held in the arms of a good and strong man knows what that feels like. This piece is a gentle reminder of love and protection so freely offered and given to those who are hurting, and need comfort and protection. You did a wonderful piece here, just as it should be.
Its definitely not gooey - just tender and protective. Fabulous painting.
A painting is nothing without emotion, this is spot on, Dianne. Beautiful!
WOW! this is stunning...and I think it works well as a 'figurative' instead of 'portrait'. I'd hang it in my house and be proud to have it!
I think the viewers experiences in his or her life connects to the subject.Any teen ager may not have that feeling as yet, but a father, grandfather will identify with the painting immediately.In short even if an artist is emotionaly involved,all the viewers may not.I for one can remember such insidences in my life and get connected immediately.lovely painting.
The back of the child's head, with grandpa carefully supporting it, is very appealing. This will be a family heirloom.
It's beautiful, Dianne! Nicely done and not gushy in the least. I really appreciate your loose brushstrokes, which offer plenty of definition for the shapes and features but leave something for the imagination to work out. Wonderful example.
Omigosh! You painted people!!! I'm over the moon. What a lovely painting it is, too, m'Dear. Thanks for telling the story behind it. I always want the background of a painting....
Is it rude to leave a comment to the group? I hope not because I appreciate so much reading what each of you has said.
Thanks to all of you. This is a special piece not only because it's my brother, but it is launching for me a series I've been wanting to do for ages and just didn't have a good starting point.
This is the only way I know to compliment you on your wonderful Empty Easel articles. I especially like the most recent one on 4 ways to avoid being boring
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